Fletcher McGee

by Edgar Lee Masters

She took my strength by minutes,
She took my life by hours,
She drained me like a fevered moon
That saps the spinning world.
The days went by like shadows,
The minutes wheeled like stars.
She took the pity from my heart,
And made it into smiles.
She was a hunk of sculptor's clay,
My secret thoughts were fingers:
They flew behind her pensive brow
And lined it deep with pain.
They set the lips, and sagged the cheeks,
And drooped the eyes with sorrow.
My soul had entered in the clay,
Fighting like seven devils.
It was not mine, it was not hers;
She held it, but its struggles
Modeled a face she hated,
And a face I feared to see.
I beat the windows, shook the bolts.
I hid me in a corner--
And then she died and haunted me,
And hunted me for life.

God's Grandeur

by Gerard Manley Hopkins

The world is charged with the grandeur of God.
   It will flame out, like shining from shook foil;
   It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
   And all is seared with trade; bleared, smeared with toil;
   And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
   There lives the dearest freshness deep down things;
And though the last lights off the black West went
   Oh, morning, at the brown brink eastward, springs--
Because the Holy Ghost over the bent
   World broods with warm breast and with ah! bright wings.

The Tyger

[NP's NOTE: This is the first piece of literature I read at MacMurray in a class with my advisor, Dr. Robert Seufert. I'm not a big fan of Blake, but I do enjoy this poem for that reason.]

by William Blake

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare sieze the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

This Is Just to Say

by William Carlos Williams

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

Untitled

by Chris Rhetts

When I was young
my sister returned for me to God
the power of decision.

Now I chant, but softly,
and spin the little prayer wheel
she left to me.

Sir, I,
am as a water spider,
held to life by surface tension,
minion of conceit, and fashionable pretension,
trading only in the narrows
in jellied words and common urges.
A water spider,
which the least of rain submerges.

You Begin

[NP's NOTE: I post this poem for my son, on the occasion of his first Easter.]

by Margaret Atwood

You begin this way:
this is your hand,
this is your eye,
that is a fish, blue and flat
on the paper; almost
the shape of an eye.
This is your mouth, this is an O
or a moon, whichever
you like. This is yellow.

Outside the window
is the rain, green
because it is summer, and beyond that
the trees and then the world,
which is round and has only
the colors of these nine crayons.

This is the world, which is fuller
and more difficult to learn than I have said.
You are right to smudge it that way
with the red and then
the orange: the world burns.

Once you have learned these words
you will learn that there are more
words than you can ever learn.
The word hand floats above your hand
like a small cloud over a lake.
The word hand anchors
your hand to this table,
your hand is a warm stone
I hold between two words.

This is your hand, these are my hands, this is the world,
which is round but not flat and has more colors
than we can see.

It begins, it has an end,
this is what you will
come back to, this is your hand.

In April

by James Hearst

This I saw on an April day:
Warm rain spilt from a sun-lined cloud,
A sky-flung wave of gold at evening,
And a cock pheasant treading a dusty path
Shy and proud.


And this I found in an April field:
A new white calf in the sun at noon,
A flash of blue in a cool moss bank,
And tips of tulips promising flowers
To a blue-winged loon.


And this I tried to understand
As I scrubbed the rust from my brightening plow:
The movement of seed in furrowed earth,
And a blackbird whistling sweet and clear
From a green-sprayed bough.

A True Poem

by Lloyd Schwartz


I'm working on a poem that's so true, I can't show it to anyone.

I could never show it to anyone.

Because it says exactly what I think, and what I think scares me.

Sometimes it pleases me.

Usually it brings misery.

And this poem says exactly what I think.

What I think of myself, what I think of my friends, what I think about my lover.

Exactly.

Parts of it might please them, some of it might scare them.

Some of it might bring misery.

And I don't want to hurt them, I don't want to hurt them.

I don't want to hurt anybody.

I want everyone to love me.

Still, I keep working on it.

Why?

Why do I keep working on it?

Nobody will ever see it.

Nobody will ever see it.

I keep working on it even though I can never show it to anybody.

I keep working on it even though someone might get hurt.

The Poems I Have Not Written

by John Brehm

I'm so wildly unprolific, the poems
I have not written would reach
from here to the California coast
if you laid them end to end.

And if you stacked them up,
the poems I have not written
would sway like a silent
Tower of Babel, saying nothing

and everything in a thousand
different tongues. So moving, so
filled with and emptied of suffering,
so steeped in the music of a voice

speechless before the truth,
the poems i have not written
would break the hearts of every
woman who's ever left me

make them eye their husbands
with a sharp contempt and hate
themselves for turning their backs
on the very source of beauty.

The poems I have not written
would compel all other poets
to ask of God: "Why do you
let me live? I am worthless.

please strike me dead at once,
destroy my works and cleanse
the earth of all my ghastly
imperfections." Trees would

bow their heads before the poems
I have not written. "Take me,"
they would say, "and turn me
into your pages so that I

might live forever as the ground
from which your words arise."
The wind itself, about which
I might have written so eloquently,

praising its slick and intersecting
rivers of air, its stately calms
and furious interrogations,
its flutelike lingerings and passionate

reproofs, would divert its course
to sweep down and then pass over
the poems I have not written,
and the life I have not lived, the life

I've failed even to imagine,
which they so perfectly describe.

CONTEST VOTING

Voting on the contest begins today (I know it was supposed to start tomorrow, but this is my contest and I say it starts today. Big whoop. Wanna fight about it?), and is open to all readers. Simply select your favorite of the contest entries, then vote by commenting on that poem with the word "VOTE" (feel free to add other comments, of course). You may only vote once. The poem with the most votes wins.

In the event of a tie, I'll make the final decision based on whatever criteria I find appropriate at the time (alliteration, imagery, meter, moon phase, etc.).

The winner of the contest will be announced here on the blog on May 2nd (and via e-mail to the winner).

For ease of voting, here are the entries (in the order they appeared on the blog):

Untitled by Chris Rhetts
I Know Poetry When I See It by Jen Rose
Winding Sheet by John Pieret
Crowd Control by Julie Bloss Kelsey
While Writing Poetry by Paul Gustav Spohn

Good luck, poets!

[Note: This post was pre-dated in order to keep it from appearing at the top of the blog. It was written on April 24, 2010.]