In those days I thought their endless thrum
was the great wheel that turned the days, the nights.
In the throats of hibiscus and oleander
I'd see them clustered yellow, blue, their shells
enamelled hard as the sky before rain.
All that summer, my second, from city
to city my young father drove the black coupe
through humid mornings I'd wake to like fever
parcelled between luggage and sample goods.
Afternoons, showers drummed the roof,
my parents silent for hours. Even then I knew
something of love was cruel, was distant.
Mother leaned over the seat to me, the orchid
Father'd pinned in her hair shrivelled
to a purple fist. A necklace of shells
coiled her throat, moving a little as she
murmured of alligators that float the rivers
able to swallow a child whole, of mosquitoes
whose bite would make you sleep a thousand years.
And always the trance of blacktop shimmering
through swamps with names like incantations—
Okeefenokee, where Father held my hand
and pointed to an egret's flight unfolding
white above swamp reeds that sang with insects
net over the sea, its lesson
of desire and repetition. Lizards flashed
over his shoes, over the rail
until I was lost, until I was part
of the singing, their thousand wings gauze
on my body, tattooing my skin.
father rocked me later by the water,
on the motel balcony, singing calypso
above the Jamaican radio. The lyrics
here the citronella burned, merging our
shadows—Father's face floating over mine
in the black changing sound
night, the enormous Florida night,
metallic with cicadas, musical
and dangerous as the human heart.
16 April 2010
Insect Life of Florida
by Lynda Hull
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"the enormous Florida night, metallic with cicadas,"
ReplyDelete(inserting line into memory)
Thanks, that was wonderful and worth reading again once the sun falls . . .
OK, I promised myself after the first couple of poems I wouldn't offer much in the way of comment, but I had not seen this poem before and it just plain blows me away.
ReplyDeleteIt has faults, attributable I suppose to the blind side of all artists: which is the (sometime) inability of a sensitive person to look back on and weigh the significance of a personal episode against the boundless pathos of the human experience.
But some of the images are incredible:
"the great wheel that turned the days, the nights. In the throats of hibiscus and oleander"
"their shells enamelled hard as the sky before rain..."
"musical and dangerous as the human heart."
How on Earth do people come up with these amazing images?
CK, I'm glad you liked it!
ReplyDeleteChris, your comments are always welcome on my blog!