Showing posts with label writers. Show all posts
Showing posts with label writers. Show all posts

20 June 2013

The fallacy of writer comparison

My fiction-writing career is not where I'd like it to be. I'm making progress on the collection, but from time to time I think about what I want to accomplish and how far I am from that, especially when I hear about other writers younger than me doing so much more.... I get a little disheartened. In the competitive world of the publishing industry, it's easy to compare yourself to others, isn't it?

There's a book I read for my day job that I think applies here. It's Blue Ocean Strategy by W. Chan Kim and Renee Mauborgne. The main message in the book is to secure your position in a "blue ocean" rather than a "red ocean." The red ocean is the industry you're in where companies compete fiercely for customer. The blue ocean, on the other hand, is taking your company to a new, uncharted space separate from your competitors.

The example given in the first pages of the book is Cirque du Soleil. In a dying market (the family circus), this company said, "We're not a family circus." They re-imagined this form of entertainment and have created a new market because of it. They didn't compete with Ringling Brothers or Barnum & Bailey. They had no competition at all. They were just Cirque du Soleil.

That's the mindset we need as writers. Yes, there is competition, particularly when you get into genre fiction. But my goal is to write a story that is outside of my genre. I want to have a story that can't really be compared with other stories because it's so different.

There have been many blog posts and articles I've read by agents, editors and writers that say you can tell an age-old story, but tell it in a way that makes it seem new. There are some who think that's all you can do, actually.

I took an independent study on personal mythmaking in college with my mentor. In it we discussed monomyth, and how some believe that all stories are based on this archetype. In that way, there are no new stories, and all stories have to be told in a way that makes them seem like they're not based on the monomyth. You can do this by jiggering Freytag's Pyramid a bit. (Chuck Wendig has an excellent post on story-telling. I encourage you to read it.)

When you figure out a new way to say something old, you're creating a blue ocean for your writing career. You're no longer competing with other writers who tell stories because their stories are so vastly different from yours.

That's a good position to be in, isn't it?

Okay, so that's my long-winded way of saying "Don't compare yourself to other writers." Here's the thing: everyone has a story to tell, but no one's story is the same. No one's path or experiences or life is the same, so what good does it do to compare yourself with someone else?

To use a racing metaphor, other writers aren't running the same race as you are. How can you compare someone running a 100-meter dash to someone running a marathon? That's what you're trying to do when you look at other writers and get down on yourself. I do it, too, and it's something I'm trying to remind myself doesn't matter.

Tell your story. Don't worry about anyone else. Swim in a blue ocean.

Happy scribbling.

02 February 2010

10 on Tuesday: Harlem Renaissance writers

In honor of Black History Month, I present the following Harlem Renaissance writers, listed alphabetically:

  1. Countee Cullen
  2. W. E. B. DuBois
  3. Jessie Redmon Fauset
  4. Langston Hughes
  5. Zora Neale Hurston
  6. James Weldon Johnson
  7. Alain Locke
  8. Claude McKay
  9. Jean Toomer
  10. Carl Van Vechten
There are many, many other writers of the Harlem Renaissance worth reading, and many, many, many Black writers throughout history worth reading.  This is just a very small snippet of writers.  Enjoy!

28 January 2010

J. D. Salinger dies at 91


The famously reclusive author of The Catcher in the Rye died today.  He will be greatly missed, despite having been so possessive of his privacy.

Journalists and bloggers are writing tributes far better than I could, so I'll leave you to them.  The New York Times has quite a bit of interesting pieces on Salinger (as well as Caulfield) here.



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AP Photo

03 September 2009

The End is Near and Other Stories

Alas, my web browser has decided that the "post a comment" link is surplus to requirements. I'm trying to avoid going to bed, I'm sick of politics at the moment, and I feel moved to respond to NP's previous post. Guest blogging powers, activate!

NP asks, "So how do you know when you can let go of a piece and start working on something else?" For me, it is a three-part process:
1. Picking the bloody thing up for yet another revision makes me physically ill.
2. Ooo, shiny object! Otherwise known as getting distracted by another project.
3. My poor Wise Readers repeat for the 9,842nd time, "There's nothing wrong with it, Dana. Really. There's not." They are Wise, and so I feel compelled to believe them - at least, after I've asked them "Are you sure?" for the 9,841st time.
That said, nothing ever feels finished. And I know that when I finally see my crap in print, I'll be mortified. So it goes.

And that's all I have to say about that. Until the inevitable revision, o' course.

Tangential to endings, I suppose that's one of the reasons I like political blogging - there's no revision. It's hard-and-fast current events sort o' stuff with no chance for 9,841st thoughts and fretful tinkering. You post the post and move on to the next. I wouldn't be able to write fiction like that, but it's a relief to scribble things that don't require endless fuss and bother, which people end up liking just fine despite the lack of polish.

There's also no reason to spend five hours deciding upon a suitably elegant transition. And I shall engage in that behavior now by leaping from the previous topic to the next without ceremony. Chris Rhetts has it right when he says you need to leave elbow room for the imagination. That's especially true for writers of wonder and horror. Our imaginations may be good, but our readers' are often better. Take full advantage of that, we must.

What he says touches on "show, don't tell" as well as "engage the reader." Look at it this way: do you get more emotional when someone gives you a list of reasons why you should feel, oh, say, grief, or when you see someone collapse to the floor screaming with loss? Yup. And while it's harder to show than tell, in most cases the extra effort's worth it, especially for the important bits.

Young writers I dealt with in college (and in writer's forums later) always seemed agonized by the idea that if they showed rather than told, the reader may not react properly. I, too, used to keep myself awake nights worrying about this. In me wise old age (ha), I've come to say, "So what?" So what if they don't "get it"? Not everyone will, even when you tell them with awful precision just what their reaction should be. I play the percentage game now. If, oh, say, 75% of the audience "gets it," I am content. And while it's satisfying when your readers "get it," it's even more satisfying when they come to the conclusion you wanted by following breadcrumbs the birds have been at rather than a four-lane interstate highway posted with signs every ten feet.

Apropos of nothing, allow me to share the following: I've just had one of those "I am a writer" moments. I've been doubtful, lately. I've spent the last week quivering in terror, because I haven't felt the call. Haven't wanted to read fiction, nor write fiction, nor sacrifice the pathetic remnants of my social life because between blogging, full-time work, and inconvenient necessities like eating, sleeping, and re-excavating a safe path through the house, there's precious little else that can be trimmed in order to make room for fiction writing. I shall not bore you with the details, but I'm sure you've all been there and can fill in the blanks. You've stared down the barrel of the question, "Am I really a writer?"

Years ago, my best friend in North Carolina answered this question by swearing off writing for life, then going to the grocery store. As he passed the stationery aisle, he swerved down it with this thought: "Oh, hey, I wonder if they've got my favorite pens? D'OH!"

I've just answered it by feeling an old, familiar thrill of excitement simply reading two excellent blog posts on writing.

Buh-bye, social life. Hello, fiction! Well, as soon as summer's officially over, anyway...

If you've stories to tell on the theme of "I knew I was a writer when..." and the comments section is still on strike, feel free to email them to elitistbastardscarnival@gmail.com, and I shall be pleased to post them for ye.

18 June 2009

Should I Seek Publication? Should You?

This blog post was brought to my attention recently, and has really got me to thinking about where the publishing industry is right now, and where it's headed in light of the digital age.

With so many printing services available exclusively online, with Amazon's CreateSpace being a popular one right now, what's to stop anyone and everyone from digging out their old journals and "publishing" a book?

Jessica says:

I think one of the problems the Internet has created for publishing is that everyone thinks every book written deserves to be published, and let's face it, that's just not true. I'm not saying that the people the reader was talking about have no business being published ever, but I do imagine there are a lot of books written that aren't ready to be queried and may never be ready to be queried. The problem often is that there is no way to know that until you actually try.

Do you agree? Should everyone with a story be able to "publish" it? I'm sure you've come across books that you've wanted to chuck across the room (I have!), but does that mean they shouldn't have been published?

Your first instinct may be to say (or shout) "Yes! It does mean that! The book should never have left the trunk!" But consider this: not everything you write will be enjoyed by everyone who reads it. There may be someone who comes across your story and wants to chuck it across the room. And in the same city, there may be someone who touts your story and encourages anyone and everyone to read it. So who's right?

Maybe there are books that shouldn't be published, but then who decides which books should make it out of the slush pile, and which should be sent to the shredder? What makes one book worth reading while another should be used to prop up the short leg of the couch?

What do you think makes a book worth reading?

If you had a DeLorean, what book (or books) would you snatch away before it made it to bookshelves? Why?



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17 April 2009

Suggestions, anyone?

One of the things I like about blogging is the ability to get feedback from people.  Take my current writing situation, for example.

I'm working on my coffee house book.  (Yay!)  The scene I've been thinking about lately is one in which a high school student wants to work at the coffee house because he thinks it would be "cool," and he expects he'd be able to get his friends free coffee.  Well, he's been coming into the coffee house regularly (nearly every day) to try and touch base with the owner--going over the manager's head--to get the job.  After a while, the standard response became that the owner is not in the shop.  Well, because of how often the applicant comes in, the baristas have a little weekly contest to see who can come up with the most outrageous yet could-be-believable excuse for why the owner is not available.  For example:

Sorry, Jeff.  You just missed him.  He had to run home and sing to his prize orchid.

Oh, he's not going to be in until later.  He and his golden retriever got in a huge fight last night, so they're at the counselor's office.

You get the idea.

Well, in the scene, I want to give several excuses, but I'm having trouble coming up with them.  That's where you come in.  I ask you, dear readers, to help me come up with the most outrageous yet could-be-believable excuses for this scene.

Whoever comes up with the best excuse (judged by me) will get a totally random prize!  Yay for free stuff!

All you have to do is respond to this post in a comment (please include your email address) with your excuse.  Pretty easy, huh?  Good luck!

16 April 2009

Reading for the Writer

For those who are writing or developing plots or thinking about that next big project, you may want to read this article about technology in literature.

If you've finished writing and you're looking to publication, consider this.

Plath and Hughes fans may find this interesting, just as Vonnegut fans may find this interesting.

Language lover?  Check this out.

And writers will want to peruse this list, put out by Writer's Digest.

20 August 2008

My Interview

  1. How did you come to be a writer? I think I've always been a writer, but I didn't decide to pursue it as a career until college, when a professor (who would become my academic advisor) read a short story I sent him and enjoyed it. (On a side note, he's always been incredibly supportive of my writing, and it's his encouragement that keeps me believing I'll be able to publish a book someday.)
  2. Tell me a little about what you're working on right now. How did you come to start working on it? In addition to working on various freelance projects, I'm working on a book (working title: Prasad(a)) that is about an indie coffee house in a college town. Right now it's somewhere between a collection of short stories and character sketches and a novel.
  3. What are you reading right now? I'm finishing up The Poet and the Murderer by Simon Worrall, and beginning a rereading of The Big Over Easy by Jasper Fforde.
  4. What's your favorite piece (that you've written)? Why? I think "Casual Conversation." I wrote it for my short fiction class in college. It's a story that is all dialogue with no tags. It was a lot of fun to write.
  5. Who's your favorite character? Why? My favorite character is Deirdre Mason (the protagonist in a novel I've set aside for the time being). She and I have many similarities, but in many ways, she's much braver than me.
  6. Where do you see yourself as a writer in ten years? Five? One? In ten years I see myself able to focus on my fiction, perhaps with a Master's degree in Creative Writing, perhaps teaching college writing courses. In five years I see myself balancing my fiction and freelance writing, and able to rely on my freelancing as a viable income. This time next year, I want to be able to consider myself a successful freelance writer, and be ready to submit Prasad(a) to a literary agent.
  7. Who's your favorite author? Why? I used to say my favorite author was, unquestioningly, Jasper Fforde. However, due to recent readings, I've also fallen in love with A. S. Byatt and Diane Setterfield.
  8. What's your favorite published work? Why? I have two favorite published works, both novels. One is Possession by A. S. Byatt, and the other is The Thirteenth Tale by Diane Setterfield. Both are excellent.
  9. What's the most difficult lesson you've learned as a writer? The road to publication is not like in the movies.
  10. Is there anything you regret? If so, what? I don't regret anything--I did what I thought was best at the time.
  11. What's the most annoying question you've been asked by a writer? "Can you look at this?" (Although there are a few writers for whom I would read/proofread all day.)
  12. What's the most annoying question you've been asked by a non-writer? "Can you look at this?"
  13. What do you want new writers to know about the craft that they may not learn in academia? One of my favorite authors received 76 rejections before finding a home for his first novel. Each rejection is one agent/publishing house closer to finding your story a home.
  14. What is one short-term writing goal you've set for yourself? To finish a draft of Prasad(a) by Thanksgiving.
  15. Write your autobiography in six words. "Writes often, loves fiercely, drinks coffee."

19 August 2008

The Interview

  1. How did you come to be a writer?
  2. Tell me a little about what you're working on right now. How did you come to start working on it?
  3. What are you reading right now?
  4. What's your favorite piece (that you've written)? Why?
  5. Who's your favorite character? Why?
  6. Where do you see yourself as a writer in ten years? Five? One?
  7. Who's your favorite author? Why?
  8. What's your favorite published work? Why?
  9. What's the most difficult lesson you've learned as a writer?
  10. Is there anything you regret? If so, what?
  11. What's the most annoying question you've been asked by a writer?
  12. What's the most annoying question you've been asked by a non-writer?
  13. What do you want new writers to know about the craft that they may not learn in academia?
  14. What is one short-term writing goal you've set for yourself?
  15. Write your autobiography in six words.
My answers tomorrow. Feel free to answer the questions yourself (either here or by posting the questions on your own blog).